I have done a lot of ‘reverse applique’ in the past 4 years, so this is not a new technique. The book shows a different way to do it than I have been doing in my work. I really should have tried their suggested method. I layer a bunch of fabrics, sew my design and then cut away the top layers that I don’t want and allow the lower layers to show. In this piece the top most fabric is the bright print, with yellows below it and then green below that. The green is actually under the batting. I like the additional depth that this allows. The book shows cutting the holes in the top fabric first, then sewing on the behind fabrics.
I actually really like this one… again all scraps and talk about bright! So many of these fabrics are from a bag of stuff I got from my mom, that she got from storage that was originally from my GREAT Aunt Minnie. So they are from the 40’s-70’s I imagine.
So far, I am having a great time with this challenge and the resulting fabric journal is going to be very cool!
There are several Applique techniques in my challenge book â€œExploring Textile Artsâ€œ This is called Raw-Edge because the parts that are appliqued are not finished on the edges in any way. To do this, I used iron on facing to hold down the purple and green applique shapes, then caught the edges on the main piece with a decorative stitch. I did this before adding the batting and doing the quilting. So the additional quilting areas allow the swirl and points to puff up above the rest of the piece.
This happens to be an image I tend to doodle all the time (mostly when sitting through boring meetings) so I picked it for this series of experiments. I plan to do the other 5 types with this same design.. maybe even the same color combos if I can find the right scraps. This fits my 8×10″ book plans. This is very similar to the type of applique I usually do in my collages, but I usually finish the edges with a satin stitch.
Experiment #3 Pleats
Pages 74- 77 go over the methods of pleating using a “perfect pleater” (Another project from my challenge book “Exploring Textile Arts“)Â I looked around a bit for said “perfect pleater” and they are a bit hard to find and more money than I wanted to spend for some experimenting. So I decided to try doing pleats the old fashioned way… just folding and ironing! I think the pleater would have helped hold the ironing together in the transition from ironing board to sewing machine. The book shows ironing on some facing to the pleated piece and then removing it from the pleater in a now stabilized single piece that won’t unfold on you.
The arsty framed examples of pleating in the book used some decorative stitching to have the pleats fan in different directions. So I gave that a little try. Again I used scrap fabric (some old vintage stuff that I am QUITE sure was from a dress my grandmother wore.)Â I am thinking I would like to use this technique for grass areas in an upcoming piece or even a picket fence. It does have a nice texture and dimension to add to a piece.Â Â
WhileÂ it is nothing to scream about artisitically… it is just one small puzzle piece that will be put to use with many other new techniques. So far they have all beenÂ fairly quick and easy little techniques. But new things for me to give a try, which I think is the whole purpose of the challenge…
Experiment #2 fabric weaving
These colors and prints are pretty garish, and the piece almost hurts my eyes to look at. BUT, in my defense these are SCRAPS that I am using to test out the idea… not necessarily a planned finished product. I think that this method is what was actually what I was supposed to be doing when I came up with this:
I saw this quilt and wanted to duplicate it, but I misunderstood her directions (or rather I didn’t see them until I had made up my own idea of how she did it.) I am still very pleased with how this blue and white “Peace Prayers” came out.Â On thisÂ one I cut 2 pieces of fabric the same size and put iron-on interfacing backing on them. Then I layed them on top of each other and used my rotary cutter to cut them into even curvy strips. I think this is where I took a different turn (ha!) I layed them all even again and now cut horizontal where I had cut vertial curvey lines.Â Now I had a bunch of little puzzle pieces essentially. I ironed them down to a 3rd piece of fabric, as the backing. This method gives me a whole second set of puzzle pieces to create a mirrored version of the same thing. Because of my desired meaning for the piece I wanted the red to show through. After the pieces were ironed down then I applique stitched down all the edges. As for the meaning…. this is about war… the red represents the rivers of blood shed, the blue symbolizes hope for ending the war and finally the white is for peace. I created this for a fabric journal swapÂ back in April 2007.
So here I am finally trying the “correct” way to fabric weave. Another project from my challenge book “Exploring Textile Arts” It is actually both easy and hard. An easy concept, hard to get everything to line up just right, hard to decide on what fabrics might work best, easy to sew once all put together.
I had planned to keep all my experiments in an 8×10 format, but this didn’t really work out that small. Perhaps it will become the cover for the book. or a crazy placemat, it is just the right size for that… I’d just have to make some matching ones! RED is supposed to induce appetite. Wait… I’m trying to lose weight so scrap that idea!
“SimplicityÂ is the property, condition, or quality of being simple or un-combined. It often denotes beauty, purity or clarity.”
I think of simplicity as very spiritual and for me the color that came instantly to mind was white.Â To simplify your life is very ZEN and reminiscent of monks or nuns that give up all the trappings of the world to seek a higher power. So I knew I wanted to create something that was very simple in color with a subject that has a peace about it. I also wanted to include circles, round edges have more simplicity than hard straight lines.
When I went to pick an image, I realized that I have a sketch on the work table that would be perfect. Originally, the plans for it were very colorful, layered and complex. So I decided to deconstruct the drawing to some main lines and do a simple single colored stitch. Although, I am not a big ‘pink person’, I am actually very thrilled with how this came out and might do a few more like this.
When you look at this piece, what do you see? I would like to know if theÂ image is obvious to the new viewer, or if it is too abstracted or too subtle. Click here if you want to see the photo inspiration.
About 81/2″ by 12″ totaly including ribbon. Created by simple zigzag stitch on fabric with satin trim. For Jen’s Challenge Week 7 SimplicityÂ As usual, a great challenge that I am glad to have accepted!
WOW, you are all fast to respond to my offer to adopt a R.I.P.!
I would like to thank Michelle, Marylin and Kath who were the first and certainly most worthy to accept the challenge of finishing my abandoned projects.
Stay tuned if you missed out, because I have a few more free things to purge from my studio this coming week!
Ok I really LOVE this purse… but I am completely stuck on making a good handle/strap for it. It is a half-moon style purse using some favorite hand-dyed fabrics, lace, andÂ image transfers. Ideas on completing this one?
So this lovely little purse project is something that I actually inherited in its current unfinished state. In some grab bag of fabric from somewhere, there was some yardage of this vintage embroidered fabric. Part of the folds of fabric turned out to be this already started purse. It has pleats and a hemmed top that is perfectly suited for a wooden handle of some kind. There are several pins in it still, holding areas that need to be finished after a handle is added, but other than that it is finished. It could use a lining too. Again it seemed like a really great find at the time, but I wouldn’t even use this purse if I did finish it, not my style anymore. I think this item has only been sitting around since 2003. email me if you think this is your style! perhaps you even have a wooden handle lying around just waiting for a bag to attach to it. I would love to see it go to a good home!
Thanks to Michelle…who makes great aprons over atÂ rustedrhubarbÂ this bag will get new life… maybe as an apron?
Where I share more documentation of my abandoned projects…. These are the ones that I have decided need to Rest in Pieces.
This is an outfit that I started, mostly only cut-out, back in 1999! It was going to be my special outfit for the big 1999/2000 New Year’s Eve party! I never even started to sew. I think my machine was on the fritz or something. I have moved 3 times since I cut this out and have never finished or even progressed on the project. The saddest part, and what makes it truly ridiculous for me to still be packing it around, is that it is a SIZE that I currentlyÂ cannot even begin to wear.Â (3 sizes too small at best)Â
It is really pretty silver fabric with a same color floral pattern for the pants, and a sheer silver fabric for the blouse. It is a Vogue Pattern #1290. There is realistically no way I am ever going to make or wear this outfit. Even if it did fit, it is not a color that I can or want toÂ wear anymore.
I think about keeping the fabric and putting it in my scrap bins that I use for fabric collage. But the silver is a very slippery silk-like fabric (who knows it might even be silk, but so long now since I bought it I don’t remember.) and these types of fabric are hard to work with in collage. Besides that, I do have extra of the same fabric already that didn’t get cut into pattern pieces.
So do you wear a size 10/12 Vogue? Do you look good in silver? Would you like to finish and wear this great outfit? send me an email and it can be yours for the low price of FREE!
So let’s see what is next on the chopping block!
This is a doll I started…. let’s see right after I made my freak show doll, so that would be August-September 2005. The body all went according to plan but then I got stuck with the head. I wanted to have some really detailed and movable snakes for her hair and I bought all kinds of different thicknesses of wire to try and make it work….
I am pretty sure my intention was to enter it into the Classic Mythology ShowÂ Depending on the prospectus, I might take a new direction with the head/hair and finish her in time enter her in the Creation Myths: An EBSQ Juried Artists Exhibit later this year.
This one was started 02/2007 for the Wild Birds Show But I didn’t get very far before life, work and other projects became more important. I really have a fantastic vision for what I want this to become, I have all the proper fabrics collected, I even have many of the pieces cut-out. Each peacock feather eye is a 5 layer circle of different fabrics cut, ironed on and then sewn together. I had all these laying on my ironing board and an early Spring had me opening the windows. In a brisk breeze, all my small little circles (not yet attached to each other) blew all over the studio. This quickly discouraged anymore progress!
I have entered these both into the EBSQ WIP show… and also plan to put them at the top of my “want to finish” pile.